Tex Avery’s 1951 animation, “Car of Tomorrow,” is limited only by the historical imagination. Wrapped in chrome and richly colored, the car of tomorrow is long, smooth, and muscular. Inspired …
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Over the last decades, critiques of my reading of Buddhism have been abundant. Even those who are otherwise sympathetic to my general approach claim that I miss the point when …
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Youssef Ishaghpour, an Iranian-born author and film scholar, once said that Godard wanted to live the history of cinema as a love story[1]. I would add that Godard’s films can …
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Robert Nozick’s Anarchy, State, and Utopia (1974) is the most important scholarly work of libertarian philosophy. Published just three years after John Rawls’s A Theory of Justice, it appeared at …
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In theory, we live in a liberated age. People hook up all the time without fanfare. An abundance of apps promise to satisfy every sexual or romantic appetite. You’d expect …
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The recently released Disney computer animated feature Strange World (Don Hall, 2022) revels in political correctness. From the get-go, viewers are acquainted and sympathize with Ethan Clade (Jaboukie Young-White), the …
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We are in the middle of the streaming wars. A boom of content platforms, as entertainment mega-companies like to call themselves, is happening: AppleTV+, Disney+, Paramount+, etc. Streaming has become …
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Perhaps The Philosophical Salon readers are familiar with Alenka Zupančič’s illustrative remarks about a key scene in Ernst Lubitsch’s classic film Ninotchka (1939). A man enters a cafe and requests …
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I was very young when I began exploring the world of digital art, fascinated by the potential of software like Photoshop. It was version 5.0, which is to today’s version …
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There is a bat in our bedroom. We don’t know how it got in, but bats can crawl through the narrowest of crevices and passageways, and our old house is …
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